A little after 8:00 a.m. this morning, I left my parents' house driving a hatchback packed with everything from clothing to a coffee table shaped like an elephant (Best. Table.
Ever). Armed with a double-shot latte and an mp3 player loaded with appropriate driving tunes, the big move had officially begun.
Mom thought that the cats would have nervous breakdowns from suffering through the road trip with me, so they aren't coming along just yet. They'll be holding down the fort with Mom and Dad until I'm at least a little bit settled, then either my parents will deliver them in a month or so, or I'll pick them up when I go to Seattle for the holidays. I was sad to leave them behind, even if only temporarily. But I have to admit it does save a lot of hassle on the drive down.
I arrived in Ashland at approximately 6:00 p.m. with relatively little incident--my mp3 player ran out of batteries halfway through the trip because I'd inadvertently left it on the previous night, but in the grand scheme of things it was a minor inconvenience--and settled into my hotel room. Then, at 8:00 p.m., I headed off to see
The Further Adventures of Hedda Gabler.
Now, I considered seeing one of the Shakespearean shows on offer (
Comedy of Errors and
Corialanus were the options for tonight), but neither of them are shows I'm particularly eager to see and the summary of
Further Adventures was just too bizarre to pass up: "It’s the final act of Ibsen’s play, and Hedda’s just done herself in—again. In hopes of a rewrite, Hedda ventures out on a rollicking quest to liberate her story. She’s joined by a quirky collection of other well-loved dramatic characters equally eager to jump off their pages."
I'm so glad I went. The show was awesome! It's written by Jeffy Whitty, the man responsible for
Avenue Q's award-winning script, and he pulls off a hilarious yet poignant show. Hedda shares the spotlight with her sla-- er... "hired help" Mammy from
Gone With the Wind in a world where fictional characters abide until their stories are forgotten and they die. While most die within moments of being born, those from memorable stories endure, like Hedda, Mammy, Medea and every version of Jesus ever written (at one point they stumble across the "Verdant Glade of the Christs"). The show had me laughing hysterically at a lot of points, but ended with an interesting comment about the purpose of art. For example, if Mammy is tired of being a slave stereotype and decides to change her story... will she remain a timeless character or will she bring about her own death? Do misery and prejudice and outdated stereotypes play an important role in letting us examine our history?
I'll leave you with one of my favorite moments (of many). This occurs near the beginning, after Hedda has "awoken" from her latest suicide with no memory of recent events.
HEDDA
My life is miserable all because of the machinations of that stupid novelist!
(She throws herself melodramatically onto the sofa, despondent.)
TESMAN
(Horrified, HEDDA sits bolt upright.)
HEDDA
What? I'm a play?! Ugh.